Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

13/03/2010

A Robot Starts to Make Decisions on its Own





WHOI's new deep-diving autonomous underwater vehicle Sentry was launched from the WHOI research vessel Atlantis off the coast of Santa Barbara, Calif., to search for cold seeps—naturally occurring oil, gas, and other hydrocarbons that are leaking from the seafloor. Scientists are developing ways to give the robot abilities to interpret data on the fly and change operations to accomplish missions more effectively without human intervention. (Chris Reddy, Woods Hole Oceanographic Institution)

Before a dive, WHOI engineer Rod Catanach prepares Sentry's high-tech “nose”—an underwater mass spectrometer developed by WHOI scientist Rich Camilli that can detect and identify minute quantities of chemicals in seawater. The instrument, called TETHYS, is in the cylindrical gray metal housing with the multiple rows of band clamps around it. (Rich Camilli, Woods Hole Oceanographic Institution)


The TETHYS mass spectrometer aboard Sentry detected chemicals clues of a cold seep and the robot requested permission to change course and see if a cold seep was actually there. Sentry turned out to be right. It homed in on a site where UCSB scientist Dave Valentine, diving in the submersible Alvin, had found a cold seep and left a marker with his name on it (upper left) in 2007. (Courtesy of Dave Valentine, University of California, Santa Barbara)

WHOI scientists Rich Camilli (left) and Dana Yoerger have spearheaded efforts to give more autonomy to the autonomous underwater vehicleSentry. Yoerger helped lead the development of the deep-sea robot. Camilli engineered the TETHYS underwater mass spectrometer that allows Sentryto collect chemical clues in the ocean. (Chris Reddy, Woods Hole Oceanographic Institution) 

Enlarge ImageMarine geochemists Dave Valentine (left) of the University of California, Santa Barbara, and Chris Reddy of WHOI study natural oil seeps on the seafloor right off the coast of Santa Barbara. Above, they sniff a rock sample recovered from the ocean bottom that still retained its petrochemical odor. (Karin Lemkau, Woods Hole Oceanographic Institution)


It’s a lot easier to send a bloodhound to track a criminal, or your kid to pick up groceries, than it is to get a deep-sea robot to find something on the seafloor.

The dog will pick up the scent and know to turn around if the bad guy doubles back. The kid can use his eyes and brain to wend his way to the vegetable aisle and recognize a red pepper. But deep-sea robots are typically dispatched on programmed missions, swimming up and back along designated track lines, like a mower cutting a lawn, and blindly collecting data. Only after the vehicle resurfaces can scientists download the data to see what the robots may have found.

These autonomous underwater vehicles, or AUVS, move autonomously in that they swim unmanned and unconnected to a ship via a tether. But they have lacked that essential capability to think autonomously—to interpret cues they gather from the environment, make decisions on the fly, and change course as necessary to accomplish missions more effectively and efficiently.

Scientists are beginning to experiment with ways to give AUVs more decision-making capabilities, and on a research cruise in September 2009 off Santa Barbara, Calif., scientists from Woods Hole Oceanographic Institution (WHOI) demonstrated that they could teach a new robot some old tricks.

They equipped an AUV called Sentry with a high-tech “nose”—an underwater mass spectrometer developed by WHOI scientist Rich Camilli that can detect and identify minute quantities of chemicals in seawater. Then they gave Sentry some brains, in the form of software to analyze the chemicals it was sniffing—in this case, naturally occurring oil, gas, and other hydrocarbons leaking from the seafloor in areas known as “cold seeps.” Finally, they gave Sentry the ability to change its pre-programmed course and operating mode, so it could home in on targets and begin sampling right away, instead of waiting to return on a subsequent mission.

In engineers’ parlance, it’s called “dynamic re-tasking to execute non-deterministic missions.” In other words, Sentry took its first baby steps on the road toward making its own decisions without input from people.

'Extraterrestrial' environments
That’s precisely the capability NASA needs in vehicles to search for life in extreme environments on distant planetary bodies, where real-time command and control will be spotty, said WHOI scientist Dana Yoerger, who helped develop Sentry. Some scientists think that if extraterrestrial life forms exist—living, for example, beneath the presumed ice-covered ocean of Europa, one of Jupiter’s moons—they may resemble earthly organisms thriving on chemicals emanating from seafloor cold seeps.

So the expedition off Santa Barbara offered a double benefit: It provided a suitable analog of an “extraterrestrial” environment to test new ways to put more autonomy into an autonomous underwater vehicle. And, if successful, it would provide a better way to find and sample cold seeps for the marine geochemists leading the expedition, Dave Valentine of the University of California at Santa Barbara and Chris Reddy of WHOI.

The scientists did not want to send Sentry on its initial non-deterministic missions without some means of communication, even if it was sort of the oceanographic equivalent of a dog barking in the woods and handler whistling or hollering back. Two-way communication withSentry was limited to slow, low-bandwidth, intermittent acoustic signals (since radio or light waves are poorly transmitted in seawater). Yoerger said it is like “an ultra-limited Twitter on old-time dial-up—a few characters every minute.”

Just people and a robot talking
Sentry was deployed from the WHOI-operated research vessel Atlantis to search for cold seeps. But “there’s a lot of different flavors of cold seeps,” Camilli said, based on how the chemicals are produced. Thermogenic seeps leak heavier hydrocarbons forged by heat and pressure beneath the seafloor. Biogenic seeps leak lighter hydrocarbons such as methane, the metabolic byproducts of microbes decomposing organic matter.

Camilli’s mass spectrometer, called TETHYS, detected and distinguished a few key hydrocarbons. On a single mission, it made more than 1,1000 discrete measurements of chemicals in the water, and more than 7,000 during the entire cruise.

“Imagine collecting 1,000 water samples and then having to analyze them,” Yoerger said. “Rather than getting a few samples at great expense, we got volumes of information, and we had it before the vehicle came up, so we could makes changes based on what we found.”

“Sentry interpreted that data on the fly, made judgments, and could report it to us in real time,” Camilli said. “We could query Sentry, and it would respond, ‘I think there’s a biogenic source here, or a thermogenic source there,’ and make requests to re-visit areas it thought were the most interesting. And we could query: ‘Why do you think that?’ And it would send back some data it had processed, which we could examine and respond, ‘Go ahead and take a closer look at that particular target.’ ”

“It’s like when you send your kid to the grocery store for peppers, and he calls you up and says, ‘The red peppers look terrible; should I get the yellow ones at twice the price?’ ” Yoerger said. “If you don’t give him an answer, he just keeps going through the shopping list we gave him.”

“Using even these limited acoustic communications,” Camilli said, “we could get a clear picture of what’s going on faster and more effectively. And that solves one of the most difficult problems in reconnaissance: when to switch from wide-area surveying to focus on a target and then to sample it.”

From sunny Santa Barbara to icy Europa
Once at a cold seep, Sentry demonstrated that it could also switch its operations. Using software developed by Mike Jakuba, Yoerger’s former graduate student, now at the Australian Centre for Field Robotics at the University of Sydney, Sentry stopped swimming and hovered over a target. It also adjusted its mass spectrometer to measure different selected chemicals to get more detailed chemical clues as to what types of life forms were present at the cold seep.

“I was deeply impressed by what Sentry and its handlers were able to accomplish during that mission,” said Valentine, the expedition’s chief scientist. “The photographs Sentry took while hovering over its target confirm that it had located an area of recent activity and go a long way to validating this approach.”

In the future, scientists envision adding more sensors—for example, one that can analyze DNA in the water in real time to identify organisms. And the scientists will continue to improveSentry’s capacities to make judgments and proceed without requesting permission.

Someday, one of Sentry’s progeny may leave Earth and boldly go to Europa, where it will be unable to phone home. By then, however, it will be fully capable of making decisions on its own.

The research cruise was funded by the National Science Foundation. The research withSentry was funded by NASA's Astrobiology Science & Technology Program. Funding for the development of Sentry was provided by NSF's Ocean Sciences Division, The Russell Family Foundation, the WHOI Deep Ocean Exploration Institute, the Comer Science and Education Foundation, and the WHOI Access to the Sea program.

14/12/2009

TED 2010 fellowship, Cesar Harada

2009/12/14 : It is now official and public :
Open_Sailing will be present at TED 2010 Long Beach!
Following is the Press release
http://www.ted.com/pages/view/id/394




TED ANNOUNCES RECIPIENTS OF NEXT 25 TED FELLOWSHIPS
Newest TED Fellows to participate in the prestigious TED2010 Conference in Long Beach, CA
NEW YORK, December 14, 2009 — Organizers of the TED Conference announced today the 25 TED Fellows who will participate in TED2010, TED’s annual conference in Long Beach, CA, February 9 – 13, 2010. The TED2010 Fellows join the TED community as the most recent additions to the TED Fellows program, joining the TED, TEDGlobal and TEDIndia Fellows from 2009.
The TED2010 Fellows reflect both geographic and discipline diversity. From Israel to Brazil to Malaysia, these innovators excel in the technology, entertainment, design, science, film, art, music, entrepreneurship and nonprofit worlds. The group also includes filmmakers, engineers, artists, scientists and musicians.
“We are thrilled to embark upon our second year of the TED Fellows program with these 25 individuals. They represent a spectacular concentration of cross-disciplinary talent in the arts and sciences, entrepreneurship and engineering, education and new journalism. We look forward to their contributions to the TED community and the amazing collaborations that are sure to occur among them," said Tom Rielly, TED Fellows director.
In addition to participating as full members of the TED2010 conference audience, each TED Fellow will participate in a two-day pre-conference, where they will receive world-class communication training, deliver a short TEDTalk, and collaborate with their peers, among other benefits. The Fellows will also participate in the TED community throughout the next year, by telling their ongoing stories on the TED Fellows blog, being featured in the online Fellows directory and participating in a private social network.
The TED Fellows program seeks individuals of age 21-40 (though anyone over age 18 is eligible) who demonstrate remarkable achievement in their field of endeavor. The program focuses on candidates from five regions: Asia/Pacific, Africa, the Caribbean, Latin America and the Middle East. The TED Fellows program is made possible by the visionary support of the Bezos family, Sherpalo Ventures, the Harnisch Foundation, the Case Foundation, private donors and Nokia.
Meet the TED2010 Fellows:

Mubarak Abdullahi (Nigeria/UK) – Aircraft engineer who, at 24, built a homemade helicopter out of old car and bike parts

Milena Boniolo (Brazil) – Chemist and PhD student at Federal University of São Carlos, Brazil, who is developing methods to detect emerging contaminants in the environment

Premesh Chandran (Malaysia) – Co-founder and CEO of Malaysiakini.com, an independent Malaysian news website

Perry Chen (US) – Co-founder and CEO of Kickstarter.com, a web platform offering people a new way to fund their creative ideas and endeavors

Anita Doron (Ukraine/Israel/Canada) – Surrealist filmmaker and documentarian

Ndubuisi Ekekwe (Nigeria/US) – Engineer, inventor, author and founder of the African Institution of Technology, an organization seeking to develop microelectronics in Africa

Saeed Taji Farouky (UK/Palestine) – Documentary filmmaker, photographer and writer focusing on human rights in the Middle East and North Africa

Jessica Green (US) – Professor at the University of Oregon’s Center for Ecology and Evolutionary Biology, whose research focuses on microbial diversity

Benjamin Gulak (Canada/US) – Inventor of the Uno, a “green” electric street bike, and founder of BPG Motors

Robert Gupta (US) – Violinist and youngest member of the Los Angeles Philharmonic whose area of study also included neurobiology

Cesar Harada (Japan/France/UK) – Coordinator of the Open_Sailing project, working to develop open-source technologies to intelligently inhabit the oceans

Susie Ibarra (US/Philippines) – Composer, percussionist and co-founder of Song of the Bird King, a production company using music and film to preserve indigenous culture and ecology

Jennifer Indovina (US) – Founder of Tenrehte Technologies, a semiconductor company developing wireless smart-grid applications

Mitchell Joachim (US/Canada) – Architect and co-founder of Terreform ONE + Terrefuge, non-profit design groups that promote ecological design in cities

Raffael Lomas (Israel) – Sculptor and teacher of creative visual workshops for the blind

Kate Nichols (US) – Artist-in-residence at the Alivisatos Lab who synthesizes nanoparticles that exhibit structural color and incorporates them into macroscale art pieces

Sharmeen Obaid-Chinoy (Pakistan/Canada) – Documentary filmmaker and founder of The Citizens Archive of Pakistan, an educational institution and heritage center established to preserve Pakistan's history.

Sarah Jane Pell (Australia) – Artist-researcher, diver and founder of Aquabatics Research Team initiative (ARTi)

Manu Prakash (India/US) – Junior Fellow at Harvard Society of Fellows, physicist and inventor pursuing research in the field of physical biology

Kellee Santiago (US) – President and co-founder of thatgamecompany, a video game company working to create games that communicate unique emotional experiences

Durreen Shahnaz (Bangladesh/Singapore/US) – Founder and Chairperson of Impact Investment Exchange Asia (IIX), a social stock exchange for Social Enterprises to raise growth capital

Gavin Sheppard (Canada) – Founder of I.C. Visions and co-founder of The Remix Project, a youth program acting as an arts and cultural incubator in Toronto, Canada

Hugo Van Vuuren (South Africa/US) – Fellow at the Harvard School of Engineering and Applied Sciences, Fellow at The Laboratory at Harvard, co-founder of Lebone – a social enterprise working on off-grid technologies

Angelo Vermeulen (Belgium) – Biologist, filmmaker, and visual artist creating large-scale collaborative art installations

Daniel Zoughbie (US) – Founder and CEO of the Global Micro-Clinic Project (GMCP), an organization working to prevent and manage diseases in the developing world using low-cost behavioral interventions
Details on each Fellow and the program are available at www.ted.com/fellows. To support the program, or to receive more information, please contact Logan McClure at +1 212.346.9333 or via email at fellows@ted.com. Follow the TED Fellows blog at http://tedfellows.posterous.com.
About TED
TED is a nonprofit organization devoted to Ideas Worth Spreading. Started as a four-day conference in California 25 years ago, TED has grown to support those world-changing ideas with multiple initiatives. The annual TED Conference invites the world's leading thinkers and doers to speak for 18 minutes. Their talks are then made available, free, at TED.com. TED speakers have included Bill Gates, Al Gore, Jane Goodall, Elizabeth Gilbert, Sir Richard Branson, Nandan Nilekani, Philippe Starck, Ngozi Okonjo-Iweala, Isabel Allende and UK Prime Minister Gordon Brown. The annual TED Conference takes place in Long Beach, California; TEDGlobal is held each year in Oxford, UK. TED’s media initiatives include TED.com, where new TEDTalks are posted daily, and the Open Translation Project, which provides subtitles and interactive transcripts as well as the ability for any TEDTalk to be translated by volunteers worldwide. TED has established the annual TED Prize, where three exceptional individuals with a wish to change the world are given the opportunity to put their wishes into action, and TEDx, which offers individuals or groups a way to host local, self-organized events around the world. Follow TED on Twitter, twitter.com/tedtalks, or on Facebook, www.facebook.com/TED
TED2010, “What the World Needs Now,” will be held Feb. 9-13, 2010, in Long Beach, California, along with TEDActive, a simulcast conference of TED2010, in Palm Springs, California. TEDGlobal 2010, “And Now the Good News,” will be held July 13-16, 2010, in Oxford, UK

Logan McClure
Program Officer, TED Fellows
TED Conferences








13/12/2009

Open_Sailing at the MIT

http://techtv.mit.edu/videos/4014-open-sailing-presentation-in-future-craft

Cesar Harada and Hiromi Ozaki have been presenting Open_Sailing at the MIT Media Lab Tangible group the 2009 sept 16.

Here is the lecture :



download video flv (227mb)  | wmv (475mb)

And this was our slideshow :




28/11/2009

Reuben Margolin



Reuben Margolin, a Bay Area visionary and longtime maker, creates totally singular techno-kinetic wave sculptures. Using everything from wood to cardboard to found and salvaged objects, Reubens artwork is diverse, with sculptures ranging from tiny to looming, motorized to hand-cranked. Focusing on natural elements like a discrete water droplet or a powerful ocean eddy, his work is elegant and hypnotic. Also, learn how ocean waves can power our future. Learn more about Reuben at http://www.reubenmargolin.com/


15/11/2009

Life, Art and Chickens, Afloat in the Harbor

http://www.nytimes.com

Michael Nagle for The New York Times
Mayra Cimet reattaching a piece of tarp to a dome aboard the Waterpod, a barge docked on the waterfront at Joralemon Street in Brooklyn this week. More Photos >
By MELENA RYZIK
Published: August 12, 2009
ABOARD THE WATERPOD, in New York Harbor — “One, two, three: Heave! One, two, three: Heave!” Perched nearly 20 feet high at the top of a metal dome on this listing barge, Alison Ward, an artist, was acting as a foreman, supervising as a half-dozen volunteers struggled to pull a heavy vinyl cover over the structure. It was just past 10 a.m. on a blazing Sunday in July, and the public was due to start coming aboard soon — too soon, Ms. Ward felt.

“How long until we’re descended upon?” she called to her crew. For a draining hour she and the others had worked the tarp, stitched together from discarded billboards, up and over the structure, which for the moment resembled a Buckminster Fuller-designed jungle gym.

For the last two months artists have been floating around New York City on the Waterpod, a 3,000-square-foot experiment in community living and artistry. Founded by Mary Mattingly, whose medium is mainly photography, it was envisioned as a self-sustaining living space, an eco- and art-friendly sphere that could be recreated in the future, when land resources might be scarce. Preparing for the project, Ms. Mattingly thought about hardship and utopia. And so the Waterpod — at least that part of it that is not a commercial shipping barge, whose rental was backed by dozens of public and private groups — was built from donations and recyclables. Its systems run on solar power; its crew grows its own greens, collects its own rainwater. These things cared for each day, the notion was that the crew could work on more creative pursuits.

In practice, however, the Waterpod has turned out to be more an experiment in sociability and isolation, aesthetic vision and mass utility, organization and freedom, and, mostly, endurance.

“Frankly, I don’t think any of us, when we started, knew how much work it would be,” Ms. Ward, 37, said. “Building it was hard, but I thought once we got it up and running, we would be able to, you know, make art.” This was an assessment that Ms. Mattingly, 30, echoed and one that has not yet come to pass. “It has challenged everyone,” Ms. Ward said, “on all levels — levels of comfort, levels of intellect.”

Both Ms. Ward and Ms. Mattingly gave up their apartments and have been living aboard the Waterpod full time since it was launched on June 12, the only two people to do so. Otherwise the crew has included a rotating cast of artists and hangers-on, some with relevant experience in gardening or carpentry or maritime life, experience that both women said they did not have before starting the project.

Over two live-in visits a month apart, this reporter became one of the crew, pitching in on the dome cover-raising and daily tasks like feeding the chickens — four hens produce breakfast, lunch and dinner — and tending the vegetable gardens that line the boat’s rails. Though it remains docked in one location for two weeks at a time — the Pod, as its residents call it, is currently tied up at Pier 5 in the East River, below Brooklyn Heights — its mooring lines and gangplanks need frequent attention, as do the systems that make it livable. (The less said about maintaining the dry-composting toilet, the better.) “There’s a never-ending list of things to do: It’s a ship. It’s a farm. It’s an art residence. It’s an installation,” Ms. Ward said.

“It’s not a Burning Man camp,” said John McGarvey, 43, the Waterpod’s executive director and a veteran of that annual Nevada festival. Perhaps not, but it does attract some of the same spirit: people like Dallas Pesola, who gave his age as “ageless” and arrived that July morning to help put up the dome cover wearing a captain’s hat, a sarong and no shirt, brandishing a bunch of plastic swords taken from the party where he’d just stayed up all night.

Mr. Pesola and a friend, Elisa Blynn, 37, an artist and performer from the East Village, did much of the heavy lifting on the day’s projects. But then Ms. Blynn decided to spray paint a wavy silver border around one of the garden beds. Cool? Debatable. Common? You bet.
“People get on board, and they just start painting,” said Ian Daniel, the Waterpod’s residency curator, responsible for scheduling official artist visits and coordinating events. “I can’t even pinpoint how it happens.” He added: “Mary’s aesthetic is this futuristic, apocalyptic what-if, but people come on board and want to be a part of it. It seems like free living, like on a commune.” (Mr. Daniel, 27, should know; he lived on one, in Oregon, where he learned how to practice sustainable agriculture.)
Eve K. Tremblay, a Canadian-born artist who was based in Berlin until she came to work and live on the Pod this year, was not happy with the result of all this go-with-the-flowness. “It’s looking a bit too hippy right now,” she said, adding: “I’m a bit of a critical voice on this project. There is very little time to read or do art. It takes a lot of work to do sustainability. And sometimes it feels like Frankenstein, like we’ve created this organism that has a life of its own.”

A few weeks later Ms. Tremblay moved out. Mr. Daniel cut down on his day job as a waiter at the boutique Standard Hotel and took her place on the barge. Though he had trouble sleeping on board and shared the disdain for the Burning Man vibe — he had gently suggested to some of the group that perhaps they should, you know, wear shirts — he was excited about the prospect of organizing and promoting shows. Soon the silver paint Ms. Blynn had applied was gone.

Public enthusiasm for the project has been voracious. Situated at the intersection of recession escapism, do-it-yourself culture and ecomania, the Pod neatly sums up many current lifestyle trends — the compost container gets a lot of “this is how we should do it at home” comments from visitors.

“It’s navigating our relationship with the environment in a capacity that doesn’t occur when you live in the city,” said Matthew Aaron Goodman, 34, a novelist from Brooklyn who visited the Waterpod when it was docked at Governors Island in July. “The advancement of technology has limited our ability to know what we can do with our own capacity. Something like this reminds us.”

He turned to his wife, Nadia Murray Goodman, 34, a teacher. “We need to reassess what we’re doing with our lives,” he said. “We should be taking junk boats around the world.”

That kind of support helps balance the constant stream of nosy poking around — what several Pod livers called “the zoo animal aspect.” The lack of onboard privacy, coupled with the isolation from the outside world (only Ms. Mattingly has an Internet connection) has been one of the greatest challenges, residents said.

“You’re cut off from most media, and you’re focused on survival aspects,” said Ms. Mattingly, who has left the Pod only three times since it was launched. (Ms. Ward still goes to her studio in Lower Manhattan four times a week.) “We want to have those two hours a day where no one is coming into your room asking silly questions.”

Two months in, the residents of the Waterpod are finally making those kind of allowances for themselves. They have begun to understand how to manage the onboard systems and structure their days, and the curatorial program has gone from didactic (lectures about local oysters) to hip, with a performance by the electro duo Yacht. The rewards of life on board have also slowly become evident: diving off the raft and into the cool waters of the harbor; picking fresh lettuces, nasturtium flowers and herbs off the bow for a lunchtime salad; showing off the stunning skyline views to visiting friends.

And every night, after the public leaves, can feel like a covert but elegant dinner party, with candles and thoughtfully prepared food, conversation flowing under the dome as urban life zooms by, the coda to an exhausting but fulfilling day.

“That’s what I like about living on the Pod,” Ms. Ward said, “every moment is accounted for, every action.” She added, “It’s a constantly shifting thing, and that’s what art always is.”

For her part Ms. Mattingly, who said she felt they’d reached a turning point, added that she planned to extend the project through October and hoped someone would take it over after that.

In the meantime there are some moments of peace. Just off the coast of Brooklyn on Sunday the sky was overcast and the barge quiet, with no public events scheduled and few visitors aboard. Mayra Cimet, an eager 22-year-old student, worked on a rope installation with no purpose beyond the aesthetic. David Smith, a visiting artist, discussed his work with Ms. Mattingly. Mr. Daniel showed a new volunteer the gray-water system. Ms. Ward cooked. The chickens clucked, the boat rocked. The Waterpod was, for better or worse, its own little universe.

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