Showing posts with label posting. Show all posts
Showing posts with label posting. Show all posts

08/01/2010

http://impact-art.ning.com/profiles/blogs/nuclear-first

Nuclear FiRST
It is now widely accepted that nuclear power is a key solution to the dual issues of reducing our environmental impact, and security of energy supply. Nuclear First offers a unique doctoral training programme that aims to address the need for specialist skills in nuclear fission and engineering.

On 9th November this year, the Government identified ten suitable sites for the next generation of nuclear power plants. Public consultations are currently taking place around the UK to resolve where and how to host the resulting waste. This is seen by many as the most risky part of the nuclear process.

When making decisions, public consultations are almost exclusively focusing on safety and risk. However, there are also potential benefits for local communities that choose to host such a site, such as employment opportunities and access to a renewable source of energy. With this project I aim to combine the individual expertise of the doctoral students and those living in close proximity to nuclear plants through a series of workshops, to help consider both the deliberate and unexpected payback/consequences a nuclear waste facility could offer, such as the design/evolution of unique landscapes fed by an abundance of heat and energy.




Cesar Harada commented :
My websites, a couple of my blogs have been surgically hacked and destroyed after I published UK, Japanese and french nuclear waste locations in the oceans rifts (deep sea) in the late 70's and 80's. At the time, the governments were proudly showing off their technological advances and "forever lasting containers"... Nothing to be proud of these days, out of fashion it seems.
There is no freedom of information, nor governmental dialog and transparency on these issues, and when it comes to what is "widely accepted" I can testify from my own experience, it is not very difficult to make the loud one quiet.
I'll be quiet.
...

What I want to say here : in a developed country like the US, nuclear represents only 19.3% of the electric production (ref1). How can a not so "widely spread" technology receive such a wide strategical protection and undermining of oppositions? We can control way better the long term effects of fossil energies production and waste treatment, and, just to give an example, the cost per megawatt per hour (in the US again) for coal is inferior to nuclear, and equivalently reliable (Nuclear 30.0$/Mw-hr VS Coal 29.1$/Mw-hr) (ref 2).

So, I dont know what is going to be discussed during your workshop, but I question the starting point to be that : there is no more option but to accept nuclear power as an evidence, when there are other better options avaible.
I am not against nuclear, I just think they may be better options out there we must consider to be fair.

ref1 : Net Generation by Energy Source by Type of Producer, (c. 2006), accessed 2008-03-28, Washington: U.S. Dept. of Energy, Energy Information Administration.
ref2 : http://www.nucleartourist.com/basics/costs.htm

30/12/2009

Open City: Designing Coexistence - Part 2, Refuge

from http://www.we-make-money-not-art.com

Previously: Open City: Designing Coexistence - Part 1, Community

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Exterior view of the Netherlands Architecture Institute (NAI) during the biennale. Photo © Michelle Wilderom
Open City: Designing Coexistence, the main exhibition of the 4th International Architecture Biennale in Rotterdam, has been sub-divided into seven areas of investigation. I reported on Community a couple of days ago. Now comes the turn of Refuge - Architectural Propositions for Unbound Spaces, curated by Phillip Misselwitz and Can Altay.
Refuge - Architectural Propositions for Unbound Spaces explores the causes and spatial impact of migration through voluntary or involuntary "refugees" who are transforming cities around the globe. Individuals or groups are elegantly or forcefully encapsulated from within the context of the city and society. Refuge produces an ever more atomized urban tissue where the "camp" has become both spatial paradigm and everyday reality, be it in the form of a gated community, slum, or humanitarian refugee camp.
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View of the exhibition about Refuge. Photography by Michelle Wilderom
Refuge is subdivided into 4 categories, each illustrated by 3 examples found in various locations around the world. I picked up only one for each section of the exhibition.
Artist Thomas Kilpper opened the section Providing Refuge with a poetic and burning appeal to build A Lighthouse for Lampedusa! Providing Refuge explores how architects respond to the need of temporary spaces of refuge that offer protection to fragile or threatened constitutencies, or that legitimate expressions of a human desire for withdrawal, safety, seclusion and loneliness.
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(detail of Thomas Kilpper's drawing)
Every year, some 20 000 refugees, mostly from Africa, try to reach Europe via Lampedusa, a tiny Italian island between Sicily and Tunisia. Aid organisations estimate that one in ten die during the dangerous crossing. Once they've set foot on 'the promised land', immigrants are directed to a 'Welcome Centre' which inadequacy is creating a worrying humanitarian situation.
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The illegal immigrant detention centre on the island of Lampedusa in Italy. Photo: Paul Grover
Thomas Kilpper, along with a team of architects, engineers and local people, hope to build a lighthouse with a powerful beam that would provide orientation at sea and help reduce the danger to life. Furthermore, the ground floor of the lighthouse would host an arts center. The discussions, exhibitions, concerts and other cultural events organized there would attract both new visitors to the island and local people, giving them an opportunity and space to learn from and listen to each other.
This project underlines the need for a solution to the refugee problem: it's not possible to solve it via restrictions and declaring a 'state of emergency'. We call for a humanitarian and just immigration and integration policy in Europe. None of the refugees is illegal. We oppose any idea to establish a 'Fortress Europe'. The lighthouse will be a self-confident signal: 'here we are, we do not hide'.
Preventing Refuge are proactive projects that aim to prevent entire groups of city dwellers from becoming refugees.
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2 million square meters of development projected on the city
After the 2003 Rose Revolution, Georgia embraced a wild capitalism. Spatial planning became suspect, public assets were quickly privatized, and the city faced rampant land and property speculation, leaving the city authority without strategic plan. Some 2,000,000 m2 of newly developed areas threaten to destroy Tbilisi and led to large-scale urban displacement. A city already filled with thousands of war refugees has transformed citizens into refugees in their own city.
FAST, One architecture and local artists outlined a The New Map of Tbilisi to expose all spatial and infrastructural projects being imagined or built in the city, highlighting its lack of strategic coherence. It also shows how refugees from earlier civil wars and current residents are displaced. And, it tracks how public buildings, spaces, and parks were privatized, left to stand empty due to the crisis, then to be reclaimed by internally displaced persons.
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By exposing corrupt land deals and making the effect of failed statehood transparent, the "New Map of Tbilisi" aims to empower citizens to take positive action, providing a platform for grass root initiative, civil society institutions and municipal authorities alike to re-engage in a strategic discussion on the urban future of Tbilisi.
Laboratories of Returns, one of the projects i discovered in the Dismantling Refuge section, examines return from exile. When return becomes possible, the site of origins is already irrevocably transformed. Return is never a simple turning back of time, a return is always a return to the already built.
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(image)
The notion of "return" has defined the diasporic and extraterritorial nature of Palestinian politics and cultural life since al Nakba in 1947-48. The work of Alessandro Petti, Sandi Hilal and Eyal Weizman urges architects to engage in a discussion about the revisiting, re-occupation, and appropriation of the already built. Their research and proposals on the appropriation of settlements and military bases to be evacuated -the "future archaeology" of Israel's occupation -- has been recently expanded to include other instances of displacement such as the afterlife of Italian colonial architecture in Libya.
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Improving Refuge focuses on the estimated 1.4 million Palestinians living in camps spread across Jordan, Gaza, the West Bank and Syria. These makeshift areas are among the most densely populated in the world. Living conditions, as we all know (but pretend to ignore), are abominable. Camps are a place of temporary-emergency refuge but they also need to be habitable. They hover between stillness and action. The Infrastructure and Camp Improvement Program launched by the UN attempts to introduce strong community-driven urban planning that would enable people living in the camp to go beyond the victim mentality.
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I found the practice of Participatory Community Mapping particularly fascinating. ARC, the Arab Resource Collective, invited Palestinians living in several refugee camps in Lebanon to collectively draw maps of their respective camps from memory. The resulting maps chart live experiences rather than the usual landmarks. Political fault lines, social affiliations, and the loci of power manifest themselves from the bottom-up. No only do these maps undermine derogatory assumptions about unruly spatial configurations, they also expose the glaring injustices of the Lebanese government's policy regarding Palestinian refugees. The maps betray the absence of workplaces, except for grocery stores, mini-markets and pharmacies. In the writ of Lebanese regulations, Palestinian refugees are barred from performing dozens professions, including the practice of law, medicine, engineering, etc.
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Map of Nahr el-Bared
Open City: Designing Coexistence of the 4th International Architecture Biennale Rotterdam is on view until 10 January in the Netherlands Architecture Institute (NAI).
Photo on the homepage via EU Australia online.
Related: Bas Princen, Mokattam Ridge (Garbage city).

14/12/2009

Open_Sailing at the Art & Architecture Association





Information

Monday 06th Jul 2009
6:30pm for 7:00pm
The Gallery, 70 Cowcross Street
London, EC1M 6EJ.
Nearest Tube: Farringdon
Entrance: £6 non-members - £4 members/Students - £2 Student Members






Synopsis

Open_Sailing is an alternative vision of life at sea: pioneering innovative architecture, navigation and sea farming techniques to create a life that’s comfortable, sustainable and safe. This interdisciplinary team are developing a floating architecture: a laboratory for techno-social experiments that evolves like a living organism. Gradually, this project is building towards a voyage across the Atlantic Ocean, from the Azores to Brazil; currents and drift will carry this nomadic structure on its way.

Cesar Harada studied Applied Arts at Ecole Boulle; animation at Ecole Nationale Supérieure des Arts Décoratifs Paris; and industrial design at the ENSCI Les Ateliers Saint-Sabin. He is author of HARADA and Open_Architecture (RCA publication.) and taught at the Ecole Nationale Superieure d'Architecture de Versailles.

Hiromi Ozaki is a programmer and artist. A Maths and Computers graduate of Imperial College, As Sputniko! Hiromi also creates music, performances and films which humorously explore quirky ways in which we engage with technology. Hiromi is the creator and developer of hi-ve, a swarm intelligence-inspired operating system.

Cesar and Hiromi are both researchers in Design Interactions at the Royal College of Art collaborating on Open_Sailing. (www.opensailing.net)
Ruairi Glynn is director of the blog www.interactivearchitecture.org


13/12/2009

Open_Sailing in EL PAIS (spanish) 2009 12 12

Open_Sailing in "El Pais", 2009 12 12
www.elpais.com/articulo/Tendencias/Buscarse/vida/alta/mar...
www.elpais.com/fotografia/Tendencias/Estacion/internacion...

Open_Sailing in "El Pais", 2009 12 12

Buscarse la vida en alta mar
El artista Cesar Harada propone un sistema de viviendas flotantes para mudarse a aguas internacionales | ROBERTA BOSCO - Barcelona - 12/12/2009

"La mejor forma de predecir el futuro es inventarlo". La frase es del ingeniero informático Alan Kay, pero Cesar Harada ha decidido convertirla en su lema e inventar su futuro en alta mar. Harada (Bayona, Francia, 1983) es artista, hijo del escultor japonés Tetsuo Harada y de madre francesa. Vive entre Londres y París, por el momento. Porque, mientras la mayoría de los mortales planea trasladarse al campo o la playa, Harada quiere irse a vivir en aguas internacionales de los océanos.
Por eso ha puesto en marcha Open Sailing (www.opensailing.net). Este proyecto interdisciplinar, abierto y colaborativo explora las posibilidades de la arquitectura marina. "La idea es desarrollar y construir un sistema de viviendas flotantes, que permitan la vida humana de forma totalmente autónoma, sostenible y respetuosa, pero también divertida y agradable" explica Harada.

Este peculiar arquitecto -acompañado por dos colaboradores, Carla Castaño (de Barcelona) y Ollie Palmer (de Londres)- ha presentado en Barcelona Open Sailing, en el marco del encuentro Now solar sobre tecnologías y energías sostenibles, que ha organizado un workshop en el Centro de Cultura Contemporánea de Barcelona (CCCB) en colaboración con la Fundación Terra.

Tras intentar construir un prototipo de vivienda pensado para ocho personas, para evitar los obstáculos burocráticos, Harada ha reducido las dimensiones. Y ahora trabaja en algo parecido a una Estación Internacional Oceánica, más pequeña, pero con los módulos indispensables para vivir, producir energía, cultivar vegetales en jardines flotantes abonados con los desechos orgánicos y criar (o más bien atraer) los peces lanzando plancton en el agua. "Podemos hacer converger los rayos del sol en un determinado perímetro del mar para calentar el agua y crear un hábitat más favorable a los peces", indica Harada.
La Estación Oceánica, prevista para el próximo verano, se basa en una arquitectura instintiva que reacciona como un animal. "Cuando la situación es favorable los módulos se alejan del elemento central, si es peligrosa se reagrupan", explica Harada. Para su diseño se ha inspirado en una medusa con largos tentáculos y una especie de vela que se hincha cuando quiere desplazarse. Y sus viviendas flotantes son un híbrido entre un barco y una plataforma petrolífera (pero mucho más bonitas) que se desplazan gracias al viento y las corrientes. En el proyecto trabajan 40 personas, incluidos científicos.
El proyecto se inició como una estrategia de supervivencia, a partir de la recopilación de un mapa de los miedos en el que todos pueden participar a través de (www.hi-ve.net) con la idea de convertir estos miedos en una fuerza de energía positiva. "Los océanos son los lugares más seguros del planeta", concluye Harada.

Original .pdf download : international-ocean-station.org/download/20091212el-pais_...
Original .txt download : international-ocean-station.org/download/20091212el-pais_...

opensailing.net


Website galery
Open_Sailing in "El Pais", 2009 12 12

Website article
Open_Sailing in "El Pais", 2009 12 12

Original PDF, print quality
Open_Sailing in "El Pais", 2009 12 12

12/12/2009

O_S at the V2_ Test_Lab: What Crisis?!

We have been invited to present Open_Sailing, the 9th July 2009, at the V2_ the institute for unstable media, Rotterdam, Netherland, it is very very exciting, powerpoint forbidden ! >>



http://www.v2.nl/events/test_lab-what-crisis

the event is going to be streamed and archived here ! http://live.v2.nl/

Download the flyer : .pdf 5.7 mb




see on vimeo | download the .mov high-quality (302mb) | WMV medium (182mb) |

In this edition of Test_Lab, V2_ will create its own special think tank for young artists to address issues of a world in crisis with artistic reflection and creative vision, laying out a young generation’s artistic view on our current conditions and ways of living.

Featuring: David Hahlbrock (DE) Academy of Media Arts Cologne, Cesar Harada (FR/JP), Dot Mancando (TH),Thomas Thwaites (UK) Royal College of Art, Sander Veenhof (NL) Gerrit Rietveld Academy.

Opening: Mieke Gerritzen
Respondent: Koert van Mensvoort

Performance: TokTek vs VJ MNK

Newspaper headlines report that our world is in crisis, but while the front page illustrates how bad the global situation is, a few pages down, positive tongues claim that the current global crisis provides us with unprecedented opportunities for creative technological innovation, social transformation, revisions of financial systems, environmental change, and entrepreneurship. But did we really need this crisis to generate these opportunities?! We think not. Our world is continuously in crisis, and therefore constantly requires critical reflection and rethinking. However, as the world’s future is said to be in the hands of the truly creative and critical thinkers, we are more than willing to soothe away any worries about the crisis by revealing a whole new generation of artists’ and designers’ views on the current state of affairs.

While elsewhere the crisis is being tackled by young scientists, policy makers, and entrepreneurs, through initiatives such as think tanks and campaigns, in this edition of Test_Lab, V2_ will create its own special think tank for young artists to address issues of a world in crisis with artistic reflection and creative vision. In order to do so, V2_ has made a selection of several outstanding graduation projects from this past academic year, that were proposed for the program by teachers and coordinators from various European art and design academies. The demonstrated works will lay out a young generation’s artistic view on our current conditions and ways of living: Featuring a truly objective coin-flipper, a revolutionary strategy for urban gardening, the first ever open source international ocean station, toast from a toaster made from scratch, and an interactively controlled greenhouse for growing graduation bouquets.

As is custom to Test_Lab, the audience is invited to assess these young artists’ reflections by testing the demonstrated artworks and designs themselves. So prepare for an evening of trying thought provoking electronic art and design that deals with urgent (and less urgent) aspects of a world in crisis. If after this any worries about the crises should remain, then TokTek vs. VJ MNK will soothe your cares away by performing live at Test_Lab: What Crisis?!

This event will be streamed live at http://www.v2.nl

External Links:

flyer-back by you.

call me an optimist

In response to "Call me a pessimist, but" :





Love, exciting and new
Come Aboard. We're expecting you.
Love, life's sweetest reward.
Let it flow, it floats back to you.

Love Boat soon will be making another run
The Love Boat promises something for everyone
Set a course for adventure,
Your mind on a new romance.

Love won't hurt anymore
It's an open smile on a friendly shore.
Yes LOOOOOOOOOOOOOOOVE! It's LOOOOOOOOOOOOOOOVE! (hey-ah!)

Love Boat soon will be making another run
The Love Boat promises something for everyone
Set a course for adventure,
Your mind on a new romance.

Love won't hurt anymore
It's an open smile on a friendly shore.
It's LOOOOOOOOOOOOOOOVE! It's LOOOOOOOOOOOOOOOVE! It's
LOOOOOOOOOOOVE!
It's the Love Boat-ah! It's the Love Boat-ah!
 cesar>

WP, a fiction with Open_Sailing in the background



Gerard Rallo, a MA student of the Design Interactions, Royal College of Arts, London just made this fictional film using Open_Sailing as a background theme. If I got it right, the character receives everyday a bulletin of how many people remains, at some point, he decides to get away, and departs joining the Open_Sailing swarm agglomeration.

Related to the project (really far from being released), "who remains".
A social network application that helps people to design their own post apocalyptic micro community and draw a plan for the day of the human rebirth.

03/12/2009

Will this thing even float? The craziest boats on the oceans!

http://edition.cnn.com/2009/TECH/12/01/mainsail.fantastic.boats.2009/index.html
By Anouk Lorie for CNN
December 1, 2009 -- Updated 1235 GMT (2035 HKT)




London, England (CNN) -- From catamarans made out of plastic bottles hoping to cross the Pacific Ocean to the recession-busting extravagance of billion-dollar superyachts, 2009 has been the year of crazy boats.
When it comes to design, famed architect Sir Norman Foster's spectacular "Ocean Emerald" stands out. The 41-meter superyacht is so precious it is not the property of any one owner, but split into 64 shares.
Design house, Hermes also got in on the act with a designer for a superyacht that looks like a floating island, complete with on-board "beach."
Perhaps the most mind-blowing design of the year was the superyacht that looks like an enormous shark or a killer whale. Seventy-six meter long "Oculus," projected to cost $95 million remains at the design stage currently.
2009 has also been a very green year, with many yachts proving their eco-credentials with novel, and at times, surprising innovations, like the luxury vessel designed to work like a wind farm.
Even more unusual was heir and maverick adventurer David Mayer de Rothschild's plan to cross the Pacific Ocean on a boat made of reclaimed plastic bottles.
In France, a group of friends turned a gas-guzzling tug boat into an eco-vessel, adding sails and solar panels to the "Manguier." They plan to use the boat to traverse the perilous, ice-filled Arctic sea passage that links the Atlantic Ocean with the Pacific.
Eco-design hasn't been restricted green voyages. The team behind "Planet Solar," is currently building the world's largest and fastest fully solar-powered boat in preparation for a round-the-world challenge. It is projected to cross the Atlantic in only two weeks.
The ultimate prize for extreme boats this year must go to "Eclipse," the 160-meter (525-feet) monster yacht built by Russian billionaire Roman Abramovich. In a time of world-wide economic hardship, Abramovich is said to have splashed out $1.2 billion on his latest toy. "Eclipse's" militaristic appearance has also spurred news that the super-rich are arming their boats with military-grade defense systems.

30/11/2009

47 Sustainable Living Communities


From Ocean Societies to Climate Refugee Islands With a great consciousness for the wellness of our planet, plans for sustainable living communities are being developed more rapidly than ever. This cluster examines some of these eco-friendly homes and sustainable living communities. You’ll notice a great focus on ocean societies within these innovations as more architects are realizing the development potential for this underutilized real estate space.




23/11/2009

Low Cost Internet Access At Sea



Although satellite links at sea are quite common, the speed of data transmission for most users is very low, from 600 bps to 64 kbps, with around 10 kbps being a typical speed. This, combined with usage costs of around € 20 per megabyte, has created an environment in which many ship owners cannot reliably access the Internet, or use it regularly.
The Wired Ocean approach uses a hybrid solution, combining Ku-band satellites for the downlink and narrow L-band satellites for the return channel. While at sea, the downlink (forward) channel offers a speed of 512 kbps and the uplink (return) channel speed is 9.6 kbps for Globalstar and up to 64 kbps for Inmarsat. This configuration promises to be more economical than purely narrowband satellite systems, with cost savings of as much as 70% over current systems.
Telephone, television and now Internet
The ship's internet communications are managed through a specialised client server developed by Wired Ocean. This server interfaces with a tracking TV Receive Only (TVRO) antenna for the downlink and various types of narrowband communications equipment for the uplink. The ship's TVRO is used to receive internet data while simultaneously providing signals to the ship's televisions.
By using Eutelsat's Eurobird located at 28.5° East and Hotbird at 13° East, Wired Ocean is able to provide its service for the two most watched European TV locations.
As many ships already have TVRO and a satellite phone, addition of the Wired Ocean server now gives them the triple play (telephone, television and internet) for an incremental capital outlay.
Pilot trials
From July to December 2005, ten trials were carried out on various vessels, including five yachts in the Mediterranean Sea, three fishing vessels in UK waters and the North Sea, a container ship operating between Iceland and continental Europe and an oil & gas supply vessel in the North Sea.
The trials proved Wired Ocean to be exceptionally reliable, with the satellite/hub operating at 99.954% availability and as much as 15.2 gigabytes of data was down-linked. The results of these trials not only demonstrated the pent-up demand for internet access at sea, but also that a reasonably priced service improves operational efficiency as well as the quality of life for crew and passengers aboard ships.
In a survey of the trial users, the Wired Ocean system rated extremely well against other maritime data services. Connection set-up time and speed were all highly favourable. The ability to watch TV at the popular locations while accessing the Internet proved to be a 'must have' requirement.
Access to the Internet via Wired Ocean puts a wide variety of applications at the disposal of the crew. Fishing vessels were especially interested in following the latest prices at various ports, while yacht owners made great use of the service to monitor the stock markets. Seven of the trial participants have announced plans to use the service on a commercial basis.
Advantages of the new approach
A variety of companies have attempted to provide a low-cost hybrid service at sea but failed. While the concept sounds simple, actually delivering a service that meets the challenging user requirements set by the market is more difficult. The Wired Ocean service is fast, economical, reliable, secure, flexible and easy to use. In previous systems, one or more of these elements has always been missing.
Wired Ocean's pilot trials were a continuation of the ESA Telecom supported project ‘Maritime Interactive Broadband’, which began as a result of the Start-up Projects Initiative. This initiative is designed to open the door for business innovation to small and medium sized enterprises (SMEs). The Start-up Projects Initiative helps SMEs through the early development stages of researching and refining a business proposition. The current project, ‘Wired Ocean Pilot Service’ has been supported in this way by ESA.

Adapted from materials provided by European Space Agency.

satellite signals commercials


But why not creating "our own internet" ? Openet !

open_Sailing on Twitter



We're now on Twitter. Follow is at www.twitter.com/opensailing

Cable City and the Hanging Hotel

Another amazing post by BLDBLOG, here for you.

[Image: The Hanging Hotel by Takis Zenetos; think of it as the International Style meets the Potala Palace].

Nearly a year ago, a reader named Stavros Koulis tipped me off to the work of Takis Zenetos. Zenetos was a Greek architect whose work seems clearly to belong in a list of avant-garde mid-to-late 20th century architects like Yona Friedman, Constant, and even Archigram, but who seems otherwise to have been overlooked.
The above project – visible in the next image – is for a hanging hotel, a combination of Tibetan palace, Anasazi cliff dwelling, and artificial geological formation.

[Image: The Hanging Hotel, strung onto a cliffside like a musical instrument, by Takis Zenetos].

But his most exciting project, I'd suggest (based on very little information, to be frank), is Cable City, an incredible 1961 design for a suspended city – what Zenetos called une ville suspendue.
The entire metropolis would be hung from cables, a kind of tensional extension of the earth's surface.

[Image: The Cable City of Takis Zenetos].

To be honest, I've never read a word about this thing in English, so who knows what I'm getting right here; but the overall impetus behind the project seems to be something like counter-terrestriality: a city that would not only span, but even temporarily replace, the earth's surface, forming a cobweb of urban settlement. An extremely local architectural offworld made of capsules, wired Archigramian hammocks, and other high-tech micro-environments.

[Image: The Cable City of Takis Zenetos; the instant city as toupee].

But my own descriptions shouldn't get in the way of Zenetos's images.

[Images: The Cable City of Takis Zenetos].

After all, he even drew gullies choked with wind turbines – sustainable, if bird-murdering, power stations – decades ahead of his time.

[Images: A turbined gorge by Takis Zenetos].

I'd love to know more about Zenetos, if anyone reading BLDGBLOG has more information. "Takis Zenetos (1926-1978)," we read, "is the pre-eminent architect of Greek modernism, with a varied oeuvre (industrial buildings, schools, residences, objects, urban planning studies), and he is best known for the FIX building on Syngrou Avenue and the Lycabettus theatre.
"What is not widely known is that Zenetos was a visionary of the future electronic city and the digital age."

[Thanks to Stavros Koulis for sending me these scans].

Previous expeditions in the name of research

In the interests of research, whilst at university, some friends and I ran an annual cruise down the River Taff in cheap inflatable boats. It just so happened to be a brilliant day out, complete with beer, relaxing, and – unusually for Wales – sunburn. All in, it cost around £5 each for a day on the river, including a couple of beers. If you are a student, you live in town with a slow river, and it's sunny, I'd recommend organising something similar.

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We naturally found that we grouped the vessels whilst just sailing along. We sailed mostly on drift (like Open Sailing) with occasional separation for paddling. We rode down wiers, over stones and down the rapids, over broken bottles, into abandoned trolleys, and lost just one boat per year. The grouped structure worked best for handling the weirs, both in terms of not capsizing and adding a bit of a challenge.

It's remarkable how well a series of boats costing less than £10 survive a day of intensive sailing, particularly given that they were laden with two or three fully-grown adults, yet supposedly designed for kids.

All in the name of research...

Ollie Palmer

Hotelier at Sea

Tuesday, February 17, 2009, http://bldgblog.blogspot.com/2009/02/hotelier-of-sea.html

Another amazing post of bldgblog. Maybe it is wrong, maybe it is ok, I just copy pasted it here, enjoy.
I do not mean that the Open Sailing is to become a hotel or a holiday resort necessarily but that's a quite nice series of proposals.



[Image: Courtesy of Morris Architects].

Could nearly 4000 oil rigs soon to be decommissioned in the Gulf of Mexico be retrofitted into an American Dubai of offshore luxury hotels?
If so, would that really be a good idea?

[Image: Courtesy of Morris Architects].

Either way, Morris Architects has proposed exactly that:
    There are approximately 4,000 oil rigs in the Gulf of Mexico varying in size, depth and mobility that will be decommissioned within the next century. If a deck on one of these rigs is about 20,000 square feet, then there is potentially 80 million square feet of programmable space just off the coast of the United States. The current method for rig removal is explosion, which costs millions of dollars and destroys massive amounts of aquatic life. What if these rigs were recommissioned as exclusive resort islands? Could the Gulf be America’s “Dubai” and the rig the artificial island on which to build it? This project examines the possibilities of creating a self-sufficient, eco-friendly high-end resort experience in our own backyard – the Gulf of Mexico.
According to Curbed LA, the hotel rooms themselves "are pre-fabricated, designed to be transported out to the rig as a standard cargo container."

[Images: The rooms arrive by ship – before sliding open to form individual cabinettes. Courtesy of Morris Architects].

Once there, a new world of luxury interiors unfolds above the continental shelf – apparently an ideal environment in which groups of semi-nude women can watch James Bond films.

[Image: Courtesy of Morris Architects].

Of course, if the real Dubai is any model for what might actually happen with such a resort, then we'll probably see dozens of oil rigs partially converted to luxury hotels only then to be abandoned by their construction crews and investors. As the lands of southern Louisiana continue to disappear into the Gulf, heavily armed refugees on fishing boats will move out to sea, recolonizing the derelict structures. There will be campfires at night, burning driftwood, and specialty gardens.
Within four or five decades of inconsistent contact, the Library of Congress sends out a new, 21st century Alan Lomax to visit those thriving offshore subcultures and record their folk songs and oral histories.

[Image: Courtesy of Morris Architects].

He discovers a sort of new Kalevala, written by dwellers of empty structures at sea, somewhere between creation myth and national folk history. The Kalevala of Abandoned Oil Rigs.
Alas, it turns out to be a latter day Ossian – that is, he just makes the whole thing up.

[Image: Courtesy of Morris Architects].

Or, of course, the economy will recover, this plan will work, and within a decade you'll be suntanning on a platform in the Gulf of Mexico, reading Self.

(Via Curbed LA, with thanks to David Donald).

Doomsday art: is it bad for you?

http://mtblog.typepad.com/arts_ecology/2009/01/my-entry.html


Michiko Nitta's Extreme Green Guerillas, a project people often cite when OpenSailing comes up...

In this article we discuss the interest of "apocalyptic art", I think our project [ 2012hopes.com + OpenSailing.net ] is often depicted as "apocalytic art", but our project does not conform neither to "Apocaliptic" nor "art" adjectives, rather it plays of the ambiguity of the subject and actual trends... Explanation :
Not Apocalyptic
first, a definiton (wikipedia) :
"Apocalypse (Greek: Ἀποκάλυψις Apokálypsis; "lifting of the veil") is a term applied to the disclosure to certain privileged persons of something hidden from the majority of humankind. Today the term is often used to refer to the end of the world, which may be a shortening of the phrase apokalupsis eschaton which literally means "revelation at the end of the æon, or age".
In the first place, we have no intention to "reveal " something to a handfull selected people, the project is being developed with a very "open-source" state of mind unlike other "prophet" that will offer you "redemption" for 500$ promising you to be part of the age Noah's Ark and the making of the next civilisation, we want to share our informations help everyone coping with the apocalypse, if there was one coming.
Apocalypse has a biblical or religious taste, we definitely dont, even if we are aware of informations of religious origin, our project is definitely pragmatic and scientifical.

Not Art
As it is a collaborative project, there is no belonging of the idea to a singular individual or a group, no artist figure. Secondly we have no artistic intention but rather a design perspective, more practical, not making any particular reference, but definitely trying to learn and re-use the most effective techniques to carry our task. We might present our work in art venues, but our purpose is not in the space of the museum but according to where our informations, fears and hopes are taking us - the ocean !

So if you want to know more about what we are not but what we look like, and the article describes this quite interestingly, you can read it, it is nice!

06/11/2009

Amphibious Architecture

Amphibious Architecture : The East and the Bronx Rivers in New York are home to a new installation project that offers a "looking glass" into the marine ecosystems of the rivers. The Amphibious Architecture project is a way of connecting humans with the watery world upon which we depend, through an amazing lighting display that reflects the incoming information of attached sensors. As the sensors pick up data on water quality, the presence of fish, and human interest in the water system, the lights tell the story of the interactions and feedback loops are created. An interesting, techy way for fish and people to interact, right? But it doesn't stop there - also thrown into the mix is the ability of humans to text message fish. Yes, text message...and get a response.


Video by Chris Woebken

It sounds over the top, but actually it's a very intriguing idea: People can text message the fish, and receive back real-time info about the river system. Text fish a "how are you," and you'll get a response. Pretty cool.



Distinctly moving away from the pervasive 'do-not-disturb' approach to urban environmentalism, the project encourages curiosity and engagement. Treating the river water as a reflective surface to mirror our own homo-image and architecture, establishing a two-way interface between the terrestrial and the aquatic. The project thus creates a dynamic and captivating layer of light above the surface of the river, making visible the invisible through real-time mapping of the new ecology of people, marine life, buildings, and public space.

Amphibious Architecture is a project by xClinic Environmental Health Clinic at New York University and the Living Architecture Lab at Columbia Graduate School of Architecture, Planning and Preservation.

Also see LMS, the Locative Messaging Service, Pozna Anita, aether architecture 2004.

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